5 Lies About Becoming a Screenwriter
Becoming a screenwriter is the most incredible, challenging, rewarding, disappointing, exciting, rollercoaster ride of self-discovery you’ll ever take.
No matter how your career turns out, it’s worth it. That said, your life is a precious thing and the choices you make stay with you and not everyone wants to spend their life on a rollercoaster. Here are five lies about being a screenwriter.
No. 1 You don’t have to write that much
Screenplays are short. Ninety pages. A hundred. And there’s all that empty space on the page. They’re nothing like novels where you need a lot more pages and a lot more words. How hard can it be? Very. Writing short is often harder than writing long. George Bernard Shaw once apologized for writing a very long letter by saying he didn’t have time to write a shorter one.
Writing is something that almost everyone thinks they’d be good at. The reason for this is that everyone is a consumer of story. People mistakenly think that because they’re good at experiencing story – and talking about it, and considering it, and even arguing about it – that they could write a story. This is why you’ll meet a lot of people who talk about being writers – but don’t write. Or people who say they’d love to write something, if they only had the time. Or worse, people who have an idea and would like you to write it for them and split the profits—because, in their mind, having an idea is the hard part. Ideas are out there. Many people have ideas. Their ideas most often are good ones. Few understand how to turn those ideas into a concept that is marketable.
But the reality of the situation is that writers write. It is a vital, necessary part of who you are. If you’re just starting out and you haven’t written much or anything at all, I’m not saying you can’t be a screenwriter. I am saying you won’t be a screenwriter if you don’t write.
No. 2 It doesn’t take a lot of time to write a script
If your fantasy is to spend a few months writing a script, a few months sending it out to agents, a few more months getting it sold to a studio, and then a few months after that starting production… well, good luck. The reality is it can, and usually does, take years to master the art of writing a screenplay, a ridiculously long time to get a good agent, and sometimes years to get a script sold. And then even more years before you begin production. Many films take a decade to get from the writer’s first spark of an idea to the big screen.
Yes, you will occasionally read stories about writers who wrote their scripts quickly and then sold them quickly. The reason those stories are written about is because they’re unusual. Fast in the movie ‘bizz’ is not the norm. You have to be patient. Screenwriting isn’t about instant gratification. The number one reason aspiring writers fail is simply that they give up too soon. You will hear dozens of “NO’s” before you hear a ‘YES’!
No. 3 Movies are easy to make
Screenwriters face a lot of rejection. Many people who read ON LOCATION are unknown to me. I may not have read your screenplay or the one you will write in the future.
But here is what I know. Everyone gets rejected. Great writers get rejection letters. Great scripts get passed on. It’s the way of the world. To be a screenwriter, you have to be stubborn enough to say, “This is a good story,” no matter how many times your script gets turned down. You have to keep going, no matter what. Don’t quit!
And get input from a professional in the industry. An agent, producer or a consultant like me or someone who does that kind of work.
No. 4 I won’t have to sell myself, my agent will do that for me
Most writers spend a lot of time alone writing. This is certainly true of screenwriters, until they begin to succeed. Success for the screenwriter brings a lot of meetings, a lot of notes, and the sudden recognition of something you only kind of knew, filmmaking is collaborative. If you aren’t good at meeting strangers, suddenly you need to be. If you aren’t good at playing with others, well, all at once you need to be.
Yes, your agent is there to sell you. But first you have to sell yourself to your agent or in most cases to a Producer. And one of the things they’ll want to know is how well you can sell yourself to other people in the industry. Here is the truth. It is highly unlikely you’ll get an agent if your script is unproduced. There a couple of strategies to counter this. Email me!
No. 5 Screenwriting is a get rich quick career move
The large amount of money Hollywood will sometimes pay for a screenplay is often publicized. And can be very, very tempting. But… go back to number one and number two and look at the amount of time that can be involved writing that great script.
First scripts rarely sell in the seven figures. In fact, first scripts usually don’t get much more than scale (which can be as low as $46,695.) Divide that over the amount of time it takes to learn to write a screenplay and the time it takes to write and sell your script, and it’s not a lot of money.
No one should be a screenwriter for the money. There are only two reasons to be a screenwriter. One: You adore movies and cannot imagine a life in which you’re not involved with making films in some way shape or form. Two: Writing is it for you. Perhaps you can honestly say that a nice safe, easy life don’t really appeal to you.
Alec Baldwin said in Glengarry Glen Ross:
‘Coffee is for ‘closers’.
‘Screenwriting isn’t for quitters.’