What Important Character Beat Do Most Writers Miss?

What important character beat do most writers miss?

Advanced character structure requires a “self revelation” for a main character in the closing pages of your Script. What new thing does a character learn about himself/herself as a result of everything that has happened to them in the story?

Why are most loglines ‘Dead On Arrival’?

Loglines must be primal and raw!

For instance:

A penniless artist falls in love with a girl from First Class on the Titanic.

It’s OK, but doesn’t ‘pop’. Let’s try it another way:

A journey of taboo love when poor boy Jack falls in love with poor, little rich girl Rose on the maiden voyage of the Titanic.